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      <image:title>Interviews - Helen Maudsley / 2021 / PART 3</image:title>
      <image:caption>Helen Maudsley, Our Souls, our Minds, our Thoughts, all cased in our / Heads. / Our Consciousness/Awareness; Our / Unconsciousness/Unawareness. / Our Stupidity. / Male; Female. / Our Ignorance; Our Cultural Permission; / Rules and Regulations; Rejection if you don’t / Conform. / I make the Rules; You will Obey or I will Kill You. However Hard we Try, We never Get it Right, 2018, oil on canvas, Courtesy Niagara Galleries, Melbourne..</image:caption>
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      <image:title>Interviews - Helen Maudsley / 2021 / PART 2</image:title>
      <image:caption>Helen Maudsley, GREEN INSIDE, 1968, oil on board, Courtesy Niagara Galleries, Melbourne..</image:caption>
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      <image:title>Interviews - Helen Maudsley / 2021 / PART 1</image:title>
      <image:caption>Helen Maudsley, 2017, Courtesy National Gallery of Victoria. Photographer Selina Ou.</image:caption>
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      <image:title>Interviews - Susan Norrie / 2016</image:title>
      <image:caption>Susan Norrie, installation view of aftermath, 2016 at the Ian Potter Museum of Art, two single channel video projections, sound, 10 mins 24 secs [shrimp farmers], 9 mins 6 secs [LUISI], Collection of the Vizard Art Foundation, Melbourne.</image:caption>
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      <image:title>Interviews - Kathy Temin / 2009</image:title>
      <image:caption>Kathy Temin, installation view of My Monument: White Forest, 2008, synthetic fur, synthetic fibre fill, steel, wood, MDF board, Queensland Art Gallery｜Gallery of Modern Art, Brisbane, purchased 2009, The Queensland Government’s Gallery of Modern Art Acquisitions Fund.</image:caption>
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      <image:title>Writing - RALLY / 2013</image:title>
      <image:caption>Installation view of Jompet Kuswidananto’s work in RALLY: Contemporary Indonesian Art, National Gallery of Victoria, Melbourne, 2013.</image:caption>
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      <image:title>Writing - eX De Medici / 2013</image:title>
      <image:caption>eX de Medici, Cure for Pain, 2010, (detail), watercolour on paper. Private Collection, Sydney.</image:caption>
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      <image:title>Writing - Gordon Bennett / 2007</image:title>
      <image:caption>Gordon Bennett, Notes to Basquiat: Green Ochre, 2000, synthetic polymer paint on canvas, Private Collection, Sydney</image:caption>
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      <image:title>Writing - Stieg Persson / 2018</image:title>
      <image:caption>Stieg Persson, Philosophy of individualism with goji berries, 2012-13, oil on linen, The University of Melbourne Art Collection. Purchased by The Ian Potter Museum of Art, 2018.</image:caption>
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      <image:title>Writing - Stephen Bush / 2014</image:title>
      <image:caption>Stephen Bush, The recliners were only the beginning, 2014, oil on canvas, Collection of Michael Schwarz and David Clouston, Melbourne.</image:caption>
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      <image:title>Writing - Gordon Bennett / 2021</image:title>
      <image:caption>Gordon Bennett, Home décor (Preston + de Stijl = Citizen) Dance the boogieman blues, 1997, synthetic polymer paint on canvas, Private Collection, Melbourne.</image:caption>
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      <image:title>Projects - REVIEW / Grace Crowley &amp; Ralph Balson / National Gallery of Victoria / 23 May - 22 Sep 24 - Ralph Balson, Painting, 1954, oil on composition board, National Gallery of Victoria, The Joseph Brown Collection. Presented through the NGV Foundation by Dr Joseph Brown AO OBE, Honorary Life Benefactor, 2004. Courtesy of National Gallery of Victoria.</image:title>
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      <image:title>Projects - INTERVIEW / Lesley Dumbrell: Thrum / Art Gallery of NSW / 20 Jul - 13 Oct 24 - Portrait of Lesley Dumbrell, 2023 with her artwork Solstice, 1974. Photograph: Jenni Carter. Courtesy of Art Gallery of New South Wales.</image:title>
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    <lastmod>2024-07-24</lastmod>
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      <image:title>Projects - ESSAY / Maree Clarke: In the Flicker of Light / Vivien Anderson Gallery / 26 Jun to 27 Jul 24</image:title>
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      <image:title>Projects - ESSAY / 'I create work not to forget' / Art Gallery of WA / Release</image:title>
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    <lastmod>2023-10-16</lastmod>
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      <image:title>Projects - FEATURE / Dissonant Terrain / Art + Australia / Sept 23 - Yandall Walton, Multi-Species-Convergence, 2023, looped video, LED video wall, steel, developed with digital choreographer Harrison Hall and movement artist Sarah Aitken. Courtesy of the artist.</image:title>
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      <image:title>Projects - ESSAY / Adam Pyett / Sophie Gannon Gallery / Aug 23 - Adam Pyett, Bald Hill Eucalyptus Forest, 2023, oil on linen, 148 x 132.6 cm. Courtesy the artist and Sophie Gannon Gallery, Melbourne.</image:title>
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      <image:title>Projects - ESSAY / Maria Fernanda Cardoso: Fierce Maternity / Sullivan+Strumpf / Apr 23 - Materials in Maria Fernanda Cardoso’s studio, 2023. Photo: Jillian Nalty.</image:title>
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      <image:title>Projects - REVIEW / Catherine Opie: Binding Ties / Heide Museum of Modern Art / 1 Apr - 16 Jul 21 (Copy) - Catherine Opie, Melissa &amp; Lake, Durham, North Carolina, 1998. © Catherine Opie. Courtesy of Regen Projects and Lehmann Maupin.</image:title>
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      <image:title>Projects - ESSAY / Julian Martin / The National 4: Australian Art Now / Mar 23 - Julian Martin, Untitled, 2022, pastel. Image courtesy Arts Project Australia, Melbourne.</image:title>
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      <image:title>Projects - ESSAY / Lyndal Phelps: The Secret Life of Objects / Onespace / Feb 23 - Lyndal Phelps, Birds of Bedford (detail), 2013, found ceramic bird figurine, feathers, series of 7 (ongoing). Photo: Peter Mennim.</image:title>
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    <lastmod>2022-12-13</lastmod>
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      <image:title>Projects - ESSAY / New Ways of Seeing / Untitled / Summer 22 - Hayley Millar Baker, I Will Survive 1, 2020, inkjet pigment print on paper. Purchased with funds from the Joe White Bequest, 2022. Collection of the Art Gallery of Ballarat. © Hayley Millar Baker. Courtesy of Vivien Anderson Gallery, Melbourne.</image:title>
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      <image:title>Projects - ESSAY / Blanche Tilden: Making Memories and Meaning in Glass / Art Monthly Australasia / Summer 22 - Blanche Tilden, Ripple Effect, 2019-21, installation comprising Ripple Effect 01-07, salvaged glass lenses, 9 carat gold, oxidised sterling silver, dimensions variable. Courtesy the artist and Gallery Funaki, Naarm/Melbourne. © Blanche Tilden. Photo: Andrew Curtis.</image:title>
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      <image:title>Projects - ESSAYS / Heide Museum of Modern Art / The Heide Collection / Release</image:title>
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      <image:title>Projects - ESSAY / Beating Around the Bush / Art Gallery of Ballarat / Release</image:title>
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    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-12-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6017669d9820e37481b3436f/f199e8d9-2eba-4d0d-9146-5d4ce87da38a/Paul+Davies+Walsh+2.jpeg</image:loc>
      <image:title>Projects - ESSAY / Paul Davies: Against Light / Sophie Gannon Gallery / Oct 22 - Paul Davies, Walsh 2, 2022, acrylic on linen, 153 x 122 cm, Courtesy the artist and Sophie Gannon Gallery, Melbourne.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.agency-untitled.com.au/projects/tiwi-wml67-y9ssx-jay3l-bgt8k-fygr6-8wzyb-453zf-xld3n-bpkag</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-10-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6017669d9820e37481b3436f/c2f7c0b2-8480-4259-81d8-15307c418cbe/22.21_One_Day_II_travel_web.jpg</image:loc>
      <image:title>Projects - ESSAY / Belinda Fox &amp; Neville French: Fall / Arthouse Gallery, Sydney Contemporary / Sept 22 - Belinda Fox, One Day II (Travel), 2022, watercolour, ink and encaustic wax on board, 130 x 120 cm. Courtesy the artist and Arthouse Gallery, Sydney.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.agency-untitled.com.au/projects/tiwi-wml67-y9ssx-jay3l-bgt8k-fygr6-8wzyb-5ez57-e8bkk</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-12-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6017669d9820e37481b3436f/ce9f82b5-d2fb-4a3d-8276-eb876bd1efbc/82114198.jpg</image:loc>
      <image:title>Projects - FEATURE / Dhambit Munuŋgurr: Into the Blue / Art Guide Australia / Jul/Aug 22 - Dhambit Munuŋgurr, bark painting, 2022, 234 x 114 cm, Courtesy Roslyn Oxley9 Gallery, Sydney and Buku-Larrnggay Mulka Centre, Yirrkala, NT.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.agency-untitled.com.au/projects/tiwi-gnwxj-w2w4d-hhd54-mcwgg-8wc5k-x96d6</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-10-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6017669d9820e37481b3436f/999d9341-814e-47e9-b06b-4599c133544d/2023-10-17+10-41+1.jpeg</image:loc>
      <image:title>Projects - ESSAY / Contemporary Visions / ACU Art Collection / Release</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.agency-untitled.com.au/projects/tiwi-wml67-y9ssx-jay3l-bgt8k-fygr6-8wzyb-5ez57</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-12-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6017669d9820e37481b3436f/1655963324621-H23KY6LQCUM8NE5713Q7/IMG_2318+cropped2.jpg</image:loc>
      <image:title>Projects - INTERVIEW / Gregory Hodge: Figures, Lights, and Landscapes / Sullivan+Strumpf / Jun 22 - Gregory Hodge, Autumn Landscape, 2022, acrylic on canvas, 195 x 130 cm, Photo: Aaron Anderson.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.agency-untitled.com.au/projects/tiwi-wml67-y9ssx-jay3l-bgt8k-fygr6-8wzyb</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-10-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6017669d9820e37481b3436f/1655961811039-5HI2ZQZ7LHVYKN01TXIV/EDM2022_Double+Double+Crossed_Photog+Simon+Hewson_11_HRJ.jpg</image:loc>
      <image:title>Projects - ESSAY / eX de Medici: Double Double Crossed / Sullivan+Strumpf / May 22 - eX de Medici, Genetic Ghost Disfunction (Viagra), 2021, watercolour on paper, 114 x 124 cm, Photo: Simon Hewson.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.agency-untitled.com.au/projects/tiwi-wml67-y9ssx-jay3l-bgt8k-fygr6-8wzyb-2pgz6</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-10-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6017669d9820e37481b3436f/1655261154192-G1HAV4XGKL8XBGSB2IHL/The+Amphitheatre.jpeg</image:loc>
      <image:title>Projects - ESSAY / Selina Ou: Neighbourhood Tales / Sophie Gannon Gallery / Apr 22 - Selina Ou, The Amphitheatre, 2022, inkjet print, 80 x 120 cm, Courtesy the artist and Sophie Gannon Gallery, Melbourne.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.agency-untitled.com.au/projects/tiwi-wml67-y9ssx-jay3l-bgt8k-fygr6</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-06-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6017669d9820e37481b3436f/1649806313491-PIPEFQAUJYVSWU8GCH81/BadBiology_hero-1140x700.jpeg</image:loc>
      <image:title>Projects - ESSAY / Christopher Langton: Bad Biology / Tolarno Galleries / Feb 22 - Christopher Langton, Bad Biology, Tolarno Galleries, Melbourne Art Fair, 17 to 20 February 2022. Photography: Andrew Curtis.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.agency-untitled.com.au/projects/tiwi-wml67-y9ssx-jay3l-bgt8k</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-04-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6017669d9820e37481b3436f/1645435129874-TY6HAVMDK5K82HH1P74N/LAST+Collective.png</image:loc>
      <image:title>Projects - FEATURE / Top 10 to See at Melbourne Art Fair  / Art Guide Australia / 17 Feb 22 - LAST Collective (Beth Arnold, Melanie Irwin, Katie Lee, Clare Rae, Hanna Tai), Composition with Air and Space (Beach Ball), 2020, documentation of performance, dimensions variable. Courtesy of the artists and @last_collective.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.agency-untitled.com.au/projects/tiwi-gnwxj-w2w4d-hhd54-mcwgg-8wc5k</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-10-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6017669d9820e37481b3436f/413776db-9435-4478-9392-ac907492928d/2023-10-17+10-54.jpeg</image:loc>
      <image:title>Projects - ESSAYS / Mornington Peninsula Regional Gallery / Women Artists / Release</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.agency-untitled.com.au/projects/tiwi-9lgmw-w4jct</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-12-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6017669d9820e37481b3436f/1639558735102-1LM4149A4GEOOFXF7DZB/Unknown.jpeg</image:loc>
      <image:title>Projects - PUBLICATION  / CLIMARTE / MUP / Release</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.agency-untitled.com.au/projects/tiwi-gnwxj-w2w4d-hhd54-mcwgg</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-10-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6017669d9820e37481b3436f/1646636438838-BA1MDLW4VFB332KYRCR3/GWKL.jpeg</image:loc>
      <image:title>Projects - PANEL DISCUSSION / Luminaries II / KL Gallery Weekend / 28 Nov 21</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.agency-untitled.com.au/projects/tiwi-wml67-y9ssx-jay3l-yx86k</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6017669d9820e37481b3436f/1634603171107-1CSXIKJW96XG895F3BD0/AGNSW+Matisse.jpeg</image:loc>
      <image:title>Projects - FEATURE / Major Museum Leaders Talk 'Covid Normal' / Art Guide Australia / 15 Oct 21 - Henri Matisse, The Sorrow of the King (La tristesse du roi), 1952, gouache on paper, cut and pasted, mounted on canvas, 292.0 x 386.0 cm. Centre Pompidou, Paris, Musée national d’art moderne, purchased by the state, 1954, AM 3279 P. © Succession H Matisse / Copyright Agency 2021. Photo: © Centre Pompidou, MHAM-CCI / Philippe Migeat. Part of Matisse: Life &amp; Spirit, Masterpieces from the Centre Pompidou, Paris at the Art Gallery of New South Wales.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.agency-untitled.com.au/projects/tiwi-wml67-y9ssx-jay3l</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6017669d9820e37481b3436f/1633305254615-XUTWZGZQVXDG7D8MSWLM/Jemima+Wyman.jpeg</image:loc>
      <image:title>Projects - FEATURE / How Are Our Galleries Faring? / Art Guide Australia / 1 Oct 21 - Jemima Wyman, Fume, installation view at Sullivan+Strumpf, Sydney, 2021. Courtesy of Sullivan+Strumpf online viewing room.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.agency-untitled.com.au/projects/tiwi-wml67-y9ssx</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-10-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6017669d9820e37481b3436f/1630452216717-WERGIQ2UI7BAUEP0BR70/Burnout_MedRes-09.jpg</image:loc>
      <image:title>Projects - FEATURE / A Light Touch / Art Guide Australia / Sept/Oct 21 - Belem Lett, Collapse into Me, 2021, oil, gesso, marble dust on aluminium composite panel. Courtesy the artist and Galerie pompom, Sydney.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.agency-untitled.com.au/projects/tiwi-gnwxj-w2w4d-hhd54</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-03-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6017669d9820e37481b3436f/1628642004730-LINRQBXVUIVHKF7QA68A/DS2018-09_Darren+Sylvester_Stacey_lightjet+print_240+x+320+cm_edition+of+3+%2B+2+AP.jpg</image:loc>
      <image:title>Projects - IN CONVERSATION / Darren Sylvester / Tweed Regional Gallery / 8 Jul 21 - Darren Sylvester, Stacey, 2018, lightjet print, Courtesy the artist, Sullivan+Strumpf, Sydney and Neon Parc, Melbourne.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.agency-untitled.com.au/projects/tiwi-gnwxj-w2w4d</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-07-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6017669d9820e37481b3436f/1626248393237-M7N30296BF345JQ8XVOZ/PARR_Half+Way+House_2021_Zan+Wimberley_787.jpg</image:loc>
      <image:title>Projects - PREVIEW / Mike Parr: Half Way House / Anna Schwartz Gallery / 1 Mar - 31 Jul 21 - Mike Parr, Half Way House, 2021, performance photograph, 3 hours 15 minutes, 30 April 2021, Anna Schwartz Gallery. Performer: Mike Parr; Cinematographer: Gotaro Uematsu; Second camera: Heath Franco; Co-performer: Rob Campbell; Photographer: Zan Wimberley. © Mike Parr. Courtesy the artist &amp; Anna Schwartz Gallery.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.agency-untitled.com.au/projects/tiwi-wml67</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-08-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6017669d9820e37481b3436f/1626318235751-XKSZPLDVLLQNB4C2Z8RZ/YOU%212016.jpg</image:loc>
      <image:title>Projects - INTERVIEW / All the Ronnies / Art Guide Australia / July/August 21 - Ronnie van Hout, installation view of YOU!, 2016 at Gertrude Contemporary, painted polyurethane, urethane-coated CNC polystyrene, clothing, wig, MDF, lighting, Michael Buxton Collection.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.agency-untitled.com.au/projects/tiwi-gnwxj-w2w4d-p3sxg</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6017669d9820e37481b3436f/1626770925029-WQBPD7OQEQO6BTF2QIIL/_DSC7720.jpg</image:loc>
      <image:title>Projects - EDITORIAL / Embracing Diversity, Inclusion and 'Diffability' / ART et al. / 30 Jun 21 - Installation view of Everyday Imagining: New Perspectives on Outsider Art at the Ian Potter Museum of Art, the University of Melbourne, held in conjunction with the international conference Contemporary Outsider Art: The Global Context, presented by the Faculty of Arts, the University of Melbourne and Art Projects Australia, 23 to 26 October 2014.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.agency-untitled.com.au/projects/tiwi-gnwxj</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-07-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6017669d9820e37481b3436f/1623473866580-OKH8SLK80F9ZIY2IKSVY/_AC_7940+copy.jpg</image:loc>
      <image:title>Projects - REVIEW / Slow Moving Waters / TarraWarra Museum of Art / 27 Mar - 11 Jul 21 - Sundari Carmody, Sagitta and Cyclus, 2020 (detail), Courtesy of the artist. Photograph Andrew Curtis.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.agency-untitled.com.au/projects/tiwi</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-04-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6017669d9820e37481b3436f/1616207466219-0W24L5MFPISMFS48OMYJ/Ad102192_press.jpg</image:loc>
      <image:title>Projects - REVIEW / TIWI / NGV Australia / 23 Nov 20 – 8 Mar 21 - Jean Baptiste Apuatimi, Purrukuparli and Wai-ai, 1991, earth pigments on canvas. Collection National Gallery of Victoria. Gift of Anthony and Beverly Knight through the Australian Government’s Cultural Gifts Program, 2019.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.agency-untitled.com.au/projects/tiwi-9lgmw</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-12-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6017669d9820e37481b3436f/1618269839663-O0ADJF4HKOCIFKRHN8L5/IMG_7152.jpg</image:loc>
      <image:title>Projects - PUBLICATION  / CLIMARTE / MUP / Forthcoming</image:title>
    </image:image>
  </url>
</urlset>

